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SOULWAX
@ Manchester Hop & Grape 12th May 2000
Soulwax.
It sort of inspires images of some slightly dodgy
and dated, yet funky remixer or something. Something jazzier
and glam-er than your everyday 10-a-penny indie band.
Definitely
oh-so-glam and scaling high on the funk-o-meter, they are
indeed.
Guitarist
David Dewaele leaps onto the stage. Shiny shoes. Check. Neatly
pressed trousers. Check. Smart jacket and nutty tie. Check.
Scruffily messed-up, just-got-out-of-bed hair. Check. The
rest of the 5-piece join the stage. Four fifths of the band
in uniformly dapper suits, they look quite handsome really.
Keyboarder Inge Fliptz sits pretty in a summery flower dress.
The
brothers David and singer Stephen are part-time DJs
and TV presenters in their native Belgium. Here, they are
notorious unclassifiable, genre-hoppers. Which makes for an
interesting evening. They have it all- the rock, the funk,
the soul and all with a touch of glamour, humour and
showmanship. They do rock and every derivative possible- loudly
and verging close to seriously heavy rock or metal, whilst
maintaining that glamourously comical edge. Like on their
take on Princes "Pop Life". The sex
symbol himself never sounded as good.
The
mic stands are fluorescent tube lights with mics attached
and the classy backdrop is adorned with CDs spelling out Soulwax.
Its fantastic, done with style and flair. Soulwax-style.
The
band take a breather in the middle and David presents his
renowned Casio guitar, encouraging the crowd in a chant of
"C-A-S-I-O!!" before shouting "Get me some
sponsorship!!" Stephen announces that the this is the
part where the audience participate and asks for suggestions
of tunes for David to demonstrate on his Casio. He plays cracking
samples of "The Final Countdown" and "The Only
One I Know".
Disappointingly,
they are onstage for less than an hour but they pace themselves
through the rock-a-licious "Much Against Everyones
Advice", a brilliant cover of Princes "Pop
Life" and an explosive finale of "My Cruel Joke"
and "Too Many DJs", with its human beatbox in the
form of David, which Soulwax somehow manage to make unbelievably
cred. With a twinkle of irony in their eye, of course. Towards
the end, a mad moshpit forms, and you could be forgiven for
thinking that you were at a Slipknot gig instead.
They
return for one last song, "Chickenpox Rock". Definitely
infectious. Definitely rock. Severely Soundgarden-a-like heavy
material. Better then Belgian chocolates. Give your soul a
shine.
By
Laila Hassani l.s.hassani@uclan.ac.uk
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